Medical calls are dispatched to both the fire department and the Canyon County Sheriff's Office, who handles the dispatching for the Canyon County Paramedics. All 911 calls within the incorporated limits of Nampa come into this center. Whittier, all that year, citing the Goupil and Knoedler stockbooks as her source.The Nampa Police Dispatch Center currently dispatches for Nampa Police Department and the Nampa Fire Department. "The Perils and Perks of Trading Art Overseas: Goupil's New York Branch." Nineteenth-Century Art Worldwide 16 (Spring 2017), states that Goupil purchased The Met's picture when it was at the Salon of 1881, that Knoedler bought it from Goupil, and that Knoedler sold it to Charles A. European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. 8, states that de Neuville seems to have executed at least two versions of this subject, mistakenly suggesting that a later version was included in the Salon while ours had probably already been sold to an American agent identifies the German mounted officers as members of the First Leib-Husaren Regiment and notes that de Neuville made sketches on site across the German border calls this picture "the first instance in a full-scale painting where de Neuville developed the theme of the solitary French patriot at the mercy of his German captors". "Alphonse de Neuville's 'The Spy' and the Legacy of the Franco-Prussian War." Metropolitan Museum Journal 19/20 (1984), pp. Alphonse de Neuville: l'épopée de la défaite. 23, comments that this picture makes "an overt appeal to national sentiment". brochure, The Metropolitan Museum of Art. 110, ill., Citation added Philip Augustine Koch 06/04/19. Warriors and Worthies: Arms and Armor Through the Ages. 192, ill., mistakenly state that a second version of this picture must have been the one exhibited at the Salon of 1881, citing Lafenestre's (1881) description of the Salon painting as being dated 1881 and having slightly smaller dimensions. French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. "Alphonse de Neuville." L'Art et les artistes 17 (April–September 1913), p. "The Huntington Pictures: No Accurate Estimate of Their Value Yet Formed." New York Times (August 26, 1900), p. 138, ill., as "A Bearer of Despatches" locates this scene in the village of Sainte Marie aux-Chenes, near Metz, in September 1870, just before the surrender of Louis Napoleon during the Franco-Prussian war. Famous Paintings of the World: A Collection of Photographic Reproductions of Great Modern Masterpieces. 372, states that "not long ago the French Government turned to Boston for the finest example of Alphonse de Neuville, offering General Whittier $20,000 for The Capture of a Spy, but fortunately for us it was declined". "Art Causerie from Boston." Congregationalist 78 (March 9, 1893), p. 30, notes that Huntington "has become its owner". "My Notebook." Art Amateur 26 (January 1892), p. Schaus's gallery, and locates it in Huntington's collection comments that it "occupied the place of honor" at the Union League Club exhibition of December 1891. 356, calls it "Bearer of Despatches," notes that it was previously shown at Mr. "Pictures at the Union League." Critic 16 (December 19, 1891), p. 325, calls this picture "Un Porteur de Dépêches" and notes that it has been on exhibit at Schaus's gallery for the past week. "The Fine Arts: Art Notes." Critic 16 (December 5, 1891), p. 42, states that it was on view at Knoedler's and had been in the previous year's Salon in Paris calls the artist's approach to depicting the German faces caricature. "Pictures in New York.-Importations, Auction Sales, and Exhibitions." American Architect and Building News 11 (January 28, 1882), p. 15, describes de Neuville's trip to Sainte-Marie-aux-Chênes to make sketches for this picture, when he was nearly arrested by the German police. 2, Les Peintres militaires et les peintres de nu. "Le Salon de 1881 (2e article)." Gazette des beaux-arts, 2nd ser., 24 (July 1, 1881), p. 1724, states that the painting is signed and dated 1881. Le livre d'or du Salon de peinture et de sculpture. (sketch), calls it "French Spy" and locates it in the collection of General Whittier, Boston states that it was in the Salon of 1881.
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